16th Feb 2014 ; Miklós Jancsó's MY WAY HOME

My Way Home

A film by Miklós Jancsó

1965 / Hungary / 98 minutes/ b&w

16^th Feb 2014; 5.45pm

Perks Mini Theater

My Way Home is set in Hungary in 1945, in the final days of WWII. The Red Army is advancing and the German army retreating across the country, which is crowded with a confusion of human traffic heading west. In this situation, a 17 year-old Hungarian boy is captured and imprisoned at a remote barracks. Released in error, he is arrested again and strikes up an unlikely friendship with a young Russian soldier whose charge he is put into as they tend the cows for his unit's milk supply. His attempts to return home then form the crux of this wonderfully lyrical film, which displays all of Jancsó's consistent themes: the psychological presence of landscape, the randomness of violence and the arbitrary nature of power.

 Jancsó said that My Way Home was 'autobiographical in feeling, if not in fact', and it is this sense of remembered life that gives his film a uniquely poetic, dreamlike quality in which people appear and disappear on the endless Hungarian plains and the boys work, eat and play together as the war encroaches on their mutual under-standing. It is their relationship that is atthe heart of the film. Though it is wordless, (they share no common spoken language), it was described in Time Out as 'one of the most moving and clear-sighted analyses of male sensibilities and friendship in all cinema'.

 Jancsó fashioned a highly individual cinema within the confines of a state operated film industry, and with My Way Home we see him discovering his unique visual style, with his lengthy, elegant and supremely choreographed takes through which human life ebbs and flows. It was to reach mastery the following year with The Round-Up (an eagerly awaited DVD release coming in the next few months from Second Run) and The Red and the White(1967).

One of the world's most acclaimed directors, Miklós Jancsó, now in his eighties, is still working in Hungary, his career having undergone a recent resurgence in popularity. However, it is with My Way Home that he first revealed what an enormous talent he had, consistently marrying themes and style in films of astonishing virtuosity.

Miklós Jancsó

(1921–2014)

Miklós Jancsó was the most distinctive Hungarian film-maker of his generation, with an instantly identifiable visual style that won him wide international recognition in the Sixties and Seventies. Jancsó (pronounced “Yancho”) specialised in historical subjects, ranging from the Kossuth rebellion of 1848 to the communists’ rise to power in Hungary a century later. He filmed with a constantly prowling camera, the characters weaving in and out of the frame while the camera itself performed intricate arabesques. He pushed the long take to its limits.

Born at Vác, a village near Budapest, on September 27 1921, Miklós Jancsó studied Law and Ethnography in Romania, took his degree in 1944 and was briefly a soldier and a prisoner of war. After the liberation, he returned to Budapest and enrolled in the Academy of Drama and Film Arts.His first feature film, The Bells Have Gone to Rome (1958), was a stolid Second World War drama indistinguishable from other Hungarian films of the time. Cantata (1962) was little better, but in 1964 he began to attract favourable notice with My Way Home, which deals with a young Hungarian soldier caught between the German retreat and the Soviet advance in the last stages of the war. He made about 81 films which include many short films and TV documentaries during his long career as film director.Jancsó passed away at the ripe age of 92 on 31st January 2014.

9th Feb 2014; Ingmar Bergman's Wild Strawberries

WILD STRAWBERRIES

a film by Ingmar Bergman

1957/Sweden/93 minutes

9th Feb 2014; 5 pm

Perks Mini theater

5 pm - Introduction and release of book

‘திரைப்பட மேதைகள்’  (Masters of Cinema)

written by S.Anand, Konangal.

5.45 pm - Tea break

6. pm - Screening of ‘Wild Strawberries’

Wild Strawberries is one of  Bergman's warmest, and finest films. It concerns an elderly academic - grouchy, introverted, dried up emotionally - who makes a journey to collect a university award, and en route relives his past by means of dreams.

Professor Isak Borg (Victor Sjostrom) is compiling his memoirs in preparation for an honorary degree that he is to receive for 50 years of medical practice. After an incomprehensible nightmare, he impulsively changes his travel plans, and decides to drive to Lund with his daughter-in-law, Marianne (Ingrid Thulin). Marianne is separated from his son, Evald (Gunnar Bjornstrand), but decides to go home and reconcile with him.

The road to Lund is a reluctant path that takes Professor Borg through his youth: the family's summer cottage, the town he served as a physician, and his mother's house. He meets a young hitchhiker named Sara (Bibi Andersson) who reminds him of first love. He rescues a stranded, verbally abusive husband and his suffering wife, who undoubtedly reflect his cruelty to his late wife. In the course of their journey, he confronts his past failures, and reconciles with his life, and mortality.

Victor Sjostrom's magnificent performance carries an emotional authority that gives Bergman's great movie a warmth and an accessibility that it might not otherwise have had.Wild Strawberries dramatizes one man’s remarkable voyage of self-discovery. This richly humane masterpiece, full of iconic imagery, is a treasure from the golden age of art-house cinema and one of the films that catapulted Ingmar Bergman to international acclaim. (Source: Internet) 

Ingmar Bergman

Universally regarded as one of the great masters of modern cinema, Bergman has often concerned himself with spiritual and psychological conflicts. His work has evolved in distinct stages over four decades, while his visual style-intense, intimate, complex-has explored the vicissitudes of passion with a mesmerizing cinematic rhetoric. His prolific output tends to return to and elaborate on recurrent images, subjects and techniques.

Ingmar Bergman was born on July 14, 1918, in Uppsala, Sweden. In 1937 Bergman entered the University of Stockholm, where he became an active member of the student theatrical group. In 1942, after a brilliant production of William Shakespeare's Macbeth, the aspiring director was appointed to the Swedish Royal Opera. In the years following he divided his talents equally between stage and film efforts.

In 1945 Bergman directed his first film, Crisis, the story of an unhappy love affair which ends in suicide. Several films followed closely, but in 1956 Bergman reached the peak of critical and popular praise with The Seventh Seal. It was followed by masterpieces like Wild Strawberries, Persona, Cries and Whispers etc. In addition to film, he directed over 70 plays.

Although apparently not influenced by other filmmakers, with the possible exception of Carl Dreyer, Bergman himself has had a wide-ranging influence on a generation of filmmakers. A unique and powerful presence, his genius has made an extraordinary contribution to the art of the cinema. He died peacefully in his sleep, at his home on Fårö island, on 30 July 2007, at the age of eighty-nine.

(Source: Internet)