Oct 23, 2014

26th Oct 2014; De Sica's TWO WOMEN


TWO WOMEN
A film by Vittorio De Sica
1960 / Italy / 97 minutes
26th Oct 2014; 5.45pm / Perks Mini Theater
http://konangalfilmsociety.blogspot.in/


Based on the novel by Albert Moravia the film explores war from the perspective of a woman and her young daughter as it is a story of motherhood as well as a coming of age story for her daughter. Set in World War II during the rule of Benito Mussolini, the film explores a woman and her 12-year old daughter trying to hide from the horrors of war by traveling from Rome to the Northern Italian mountains.

It’s a film that showcases what women go through in war as they endure many of its horrors where a widow tries to shield her daughter from these moments where the two become part of a group of refugees seeking shelters in the mountains. They befriend a former professor with Communist ideals. 

The film’s screenplay does have this unique structure where the first act is set in Rome as well as Cesira and Rosetta walking towards the mountains when their train is forced to be stopped. The second act is set in the mountains and in nearby villages while the third is about Cesira and Rosetta trying to return to Rome when the Americans arrive to liberate Italy.

"Two Women" is a remarkable slice of life and show the great acting ability Sophia Loren possesses. Very rarely are beauty and talent merged in one character. Evidently, the purpose of this account, as originally written by Alberto Moravio and adapted by Cesare Zavattini for the screen, is to represent the disaster of those people—and, indeed, of Italy—who thought the war was a matter of playing it cozy and making do.

 The indication of Allied soldiers committing the devastating rape is the ultimate bitter dramatization and comment upon the tragedy of the war. De Sica's direction has the qualities of fullness and momentum that are familiar and so compelling in his films.
(Source ;: Internet)



Vittorio De Sica

Vittorio De Sica, was one of the great directors of the postwar Italian neorealist movement, which represented a large, loud break with Hollywood tradition and dealt with life as it might exist outside sound stages. As one of the world's most influential filmmakers, and as an actor who starred in some 150 movies, Vittorio De Sica built a remarkable film career that spanned half a century. De Sica directed 34 feature films, for which he won numerous international prizes. He was honored with four Academy Awards: two Special Awards, preceding the creation of the Best Foreign Film category, for "Shoeshine" in 1947, and "The Bicycle Thief" in 1949, and Best Foreign Film Awards for "Yesterday, Today and Tomorrow" in 1964, and The Garden of the Finzi-Continis in 1971.

De Sica was born in 1902 in Sora, near Rome, and grew up in Naples in a middle-class family. His career took off in the 1920s when he joined a local theater company and became a matinee idol. He later formed his own company, producing plays and co-starring with his first wife, Giuditta Rissone During World War II, De Sica turned to directing. His first four films were routine light productions in the tradition of the Italian cinema of the day. But his fifth, "The Children Are Watching Us," was a mature, perceptive, and deeply human work about the impact of adult folly on a child's innocent mind. The film marked the beginning of De Sica's collaboration with author and screenwriter Cesare Zavattini, a creative relationship that was to give the world two of the most significant films of the Italian neorealism movement, "Shoeshine" and "The Bicycle Thief."    Some more great films followed. Vittorio De Sica died in 1974 at the age of 72.                                                                                     



Oct 1, 2014

5th Oct 2014; Alexander Payne's NEBRASKA



NEBRASKA
A film by Alexander Payne
2013 / USA / 115 min
5.45pm; 5th Oct 2014 ; Perks Mini Theater
http://konangalfilmsociety.blogspot.in/


 

Filmmaker Alexander Payne is quite gifted at capturing speech in transit, the way conversation is contoured by the rhythms of the road. On the face of it, Nebraska is no exception – it’s about the relationship between a father and son, Woody Grant and Dave Grant, played by Bruce Dern and Will Forte, who take a road trip from Billings, Montana to Lincoln, Nebraska, to collect a million dollars that Woody thinks he’s won on a lottery sweepstakes. 
 The movie focuses on the quixotic quest of a senile and alcohol-addled Korean War veteran Woody Grant. Nebraska is one of the few films you'll ever see about the commandment to honor your father and mother. David is a big-hearted son who has empathy for his father.

“Nebraska” taps into a lot of universal truths while telling a story about the kind of ordinary people not often showcased in movies. Shot in beautiful tones of black and white (and silver and gray), “Nebraska” is steeped in nostalgia, regret and bittersweet moments. Yet it’s also a pitch-perfect cinematic poem about the times we live in.

In many ways, “Nebraska” hews to the classic buddy road-picture, with the mismatched Woody and Dave setting forth on a journey of mishaps, chance encounters, hilarious high jinks and — of course — filial bonding.
(Source:Internet)


Alexander Payne

Born on February 10, 1961, in Omaha, Nebraska, filmmaker Alexander Payne is known for such critically acclaimed film as Sideways (2004), The Descendants (2011) and Nebraska (2013). His mother was a college professor and his father ran a restaurant. While his parents hoped he would join a respected field, such as law or medicine, Payne graduated from Stanford University with degrees in history and Spanish literature.

After university, Payne attended the University of California, Los Angeles' prestigious film school. From the very beginning, he aspired to become a director. Starting with His 60-minute thesis film, The Passion of Martin (1989) he continued to make remarkable films. Staying true to his beliefs, he directed and co-wrote About Schmidt (2002) with Jack Nicholson in the title role as a retired widower searching for meaning in his life which won prizes and accolades.  In 2012 he received three more Academy Award nominations, this time for his film The Descendants (2011)—Best Director, Best Screenplay based on other material and Best Motion Picture. In 2014, Alexander received another Academy Award nomination for Best Directing for his film Nebraska (2013).

Sep 17, 2014

21st Sept 2014; Satyajit Ray's TEEN KANYA




TEEN KANYA
A film by Satyajit Ray
1961/ Bengali with Eng. Subtitles / 173 mins
21st Sept 201; 5.45pm / Perks Mini Theater

http://konangalfilmsociety.blogspot.in


Released in 1961, this Bengali film has three of Tagore’s stories presented as three different short films in one. Satyajit  Ray made this film as a tribute to mark Tagore’s birth centenary. In all three stories, female characters are in focus and the director beautifully portrays their emotions on-screen.

The first story, The Post Master, is about a young orphan girl of about 8-10 years, Ratan (Chandana Banerjee), who works as a maid in the village postmaster’s house. Her new master is a young man from Calcutta, Nandalal (Anil Chatterjee) who misses the hustle-bustle of city life and his family back home. Unlike her previous masters, Nandalal is kind to Ratan and starts teaching her Bengali.  The story is simplicity itself, seeming to touch on Ray’s interest on the variety of forms of learning and cultural exchange, taking in issues of family, friendship, education with a socially conscious eye towards equality, fairness and justice. Thogh the segmant  is short, it conveys such a wealth of revelation and understanding with its few dramatic strokes that it stands as a thing of full expression, a cinematic gem.


Monihara (The Lost Jewels) is the second story in the film and is a psychological thriller. Manimalika (Kanika Majumdar) is married to a rich man Phanibhusan (Kali Banerjee) and stays in a large mansion in a village. Bored at home, her only companions are her pieces of jewelry. She loves her jewels more than anything and her obsession with them becomes visible when her husband faces financial crisis.

Samapti (The Conclusion), the third piece in the film is a love story. Mrinmoyee (Aparna Dasgupta) is a carefree young girl, who as per her mother does nothing what good girls of marriageable age should do. 
She spends her time playing with kids, chasing squirrels and enjoying the swing next to the river. She catches the attention of Amulya (Soumitra Chatterjee), a young man who is returning to his village after taking his exams in Calcutta. His mother has already found a suitable match for him but he convinces her to arrange an alliance with Mrinmoyee. 
 
The film captures the innocence of a young married couple who are different from each other and one of them does not even understand the meaning of marriage or love.

Teen Kanya presents three different films in one and all are masterpieces in their own genre. The script, the direction and the music, all created by Ray, make a blend of poetic creation that is almost majestic. ( Source:Internet)

 

Satyajit Ray

Satyajit Ray was born on May 2, 1921 in Calcutta into a Bengali family of a distinguished cultural lineage. He gradually developed a passion for films and with a few friends founded the Calcutta Film Society in 1947.French director Jean Renoir came to Calcutta and the great filmmaker's encouraging words motivated Ray to tread the path of filmmaking. Next year Ray went to London as D.J. Keymer's art director and there he got an opportunity to watch Vittorio de Sica's film 'Bicycle Thief.' The film, a neorealist classic, kindled the filmmaker in Satyajit Ray.

Despite being dogged by financial hassles, Ray and his ensemble of amateur crews finally completed Pather Panclali in 1955. The film won rave reviews all over the globe and heralded the arrival of a master filmmaker. Satyajit Ray made two more films Aparajito (1956) and Apur Sansar (1959) based on the life cycle of central protagonist Apu. Ray unleashed a slew of memorable films such as Jalsagar (1958), Devi (1960), Teen Kanya (1961), Abhijan (1962), Kanchenjunga (1962), Mahanagar (1963)) and Charulata (1964). Some of his prominent films are Goopy Gyne Bagha Byne (1969), Pratiwandi (1970), Jana Aranya (1975), crime fiction Sonar Kella (1974), Jai Baba Felunath (1978) and Shatranj ke Khiladi (1977), his first film in Hindi. Considered as one of  world's most respected filmmakers, Satyajit ray  received many awards, including 32 National Film Awards by the Government of India, numerous awards at international film festivals and honorary doctorates and citations from universities world over.

In 1983 a severe heart attack crippled Ray's mobility and. Satyajit Ray breathed his last on April 23, 1992.




Sep 3, 2014

7th Sept 2014; Coppola's THE CONVERSATION




 
 The Conversation
A film by  Francis Ford Coppola
1974/ USA / 113 mins / Col
7th Sept ; 5.45pm; Perks Mini Theater
konangalfilmsociety.blogspot.in


Harry Caul (Hackman) is pre-eminent in his field. His trade magazine is called "Security World" and sound is his universe. Harry Caul is an expert professional eavesdropper. From his troubled childhood, Harry has grown up into a lonely man. He lives alone, has no entertainment except playing his saxophone with jazz records . No woman has any influence over him.

Coppola, who wrote and directed, considers this film his most personal project. He was working two years after the Watergate break-in, amid the ruins of the Vietnam effort, telling the story of a man who places too much reliance on high technology and has nightmares about his personal responsibility. 
 
Harry Caul is a microcosm of America at that time: not a bad man, trying to do his job, haunted by a guilty conscience, feeling tarnished by his work. 


Harry has been hired by the director of a large corporation to investigate and report the movements of his wife Ann. ‘The Conversation’ comes from another time and place than today’s thrillers, which are so often simple-minded. This movie is a character study, about a man who has removed himself from life, thinks he can observe it dispassionately at an electronic remove, and finds that all of his barriers are worthless. The cinematography (opening scene by Haskell Wexler, the rest by Bill Butler) is deliberately planned from a voyeuristic point of view; we are always looking but imperfectly seeing.
 The Conversation allowed Francis Ford Coppola to engage in a more personal style of storytelling, crafting a small-scale character study that's steeped in minor-key melancholia. The Conversation perfectly encapsulates the disaffection, alienation, and paranoia infecting America's body politic in the era of Watergate, the wiretapping scandal that brought down the Nixon administration, though the timing of the film's release was coincidental. (Source:Internet)



Francis Ford Coppola

Coppola  was born in 1939 in Detroit, USA, but he grew up in a New York suburb in a creative, supportive Italian-American family. Francis Ford Coppola graduated with a degree in drama from Hofstra University, and did graduate work at UCLA in filmmaking. He was training as assistant with filmmaker Roger Corman, working in such capacities as sound-man, dialogue director, associate producer and, eventually, director of Dementia 13 (1963), Coppola's first feature film. During the next four years, Coppola was involved in a variety of script collaborations.

Coppola won a Best Original Screenplay Academy Award for Patton (1970), Coppola's 2nd film brought him critical acclaim and a Master of Fine Arts degree. In 1969, Coppola and George Lucas established American Zoetrope, an independent film production company based in San Francisco. The company's first project was THX 1138 (1971), produced by Coppola and directed by Lucas. Coppola also produced the second film that Lucas directed, American Graffiti (1973), in 1973.Coppola's film The Godfather (1972) became one of the highest-grossing movies in history and brought him an Oscar for writing the screenplay with Mario Puzo.

Following his work on the screenplay for The Great Gatsby (1974), Coppola's next film was The Conversation (1974), which was honored with the Golden Palm Award at the Cannes Film Festival.Also released that year, The Godfather: Part II (1974), rivaled the success of The Godfather (1972), and won six Academy Awards, bringing Coppola Oscars as a producer, director and writer. Coppola then began work on his most ambitious film, Apocalypse Now (1979), a Vietnam War epic that was inspired by Joseph Conrad's Heart of Darkness (1993).With George Lucas, Coppola executive produced Kagemusha (1980), directed by Akira Kurosawa, and Mishima: A Life in Four Chapters (1985), directed by Paul Schrader.

Francis Ford Coppola is one of America's most erratic, energetic and controversial filmmakers.